LE CORBUSIER RONCHAMP

Le Corbusier’s Notre-Dame-du-Haut Chapel in Ronchamp is arguably the most famous modern religious building and a UNESCO World Heritage Site. It has been photographed by millions of people, including some of the most distinguished architectural photographers. In this book, Austrian artist Siegrun Appelt takes a completely new approach to the iconic structure, distinct from all of its famous predecessors. Appelt focuses with total concentration on the details, creating compositions of the highest sensitivity and precision. His images highlight the spatial structure and lines of the place, Le Corbusier’s ingenious direction of light, as well as the surfaces and passages. The images can be read as clues to these details and at the same time invite a detailed conclusion to the whole.

A dialogue between Claudia Kromrei and Otto Kapfinger is published alongside the images, in which they explore the potential of photography to show Le Corbusier's means of expression and discuss the visualization and perception of the material and immaterial elements of this icon of 20th-century architecture; edited by Verena Konrad, texts by Otto Kapfinger, Verena Konrad and Claudia Kromrei.

Le Corbusier's chapel Notre-Dame-du-Haut in Ronchamp is arguably the most famous modern religious building and a UNESCO world heritage site. It has been photographed by millions of people, including some of the most distinguished architectural photographers. In this book, Austrian artist Siegrun Appelt takes an entirely new approach to looking at the iconic structure, distinct from all her famous predecessors. Appelt focuses with an utter concentration on details, creating compositions of the highest sensitivity and precision. Her images highlight the place's spatial structure and lines, Le Corbusier's ingenious direction of light, as well as surfaces and passages. The images can be read as hints to these details and at the same time invite a conclusion from detail to the whole.

Published alongside the images is a dialogue between Claudia Kromrei and Otto Kapfinger, in which they investigate the potential of photography to show Le Corbusier's means of expression and discuss the visualization and perception of material and immaterial elements of this icon of twentieth-century architecture; edited by Verena Konrad, texts by Otto Kapfinger, Verena Konrad, and Claudia Kromrei.